Examining the ‘flexible museum’: exhibition process, a project approach, and the creative element

Jennie Morgan


Flexibility - considered broadly as adaptability and responsiveness to external forces - is a highly valued trait in late-modern life. As it reaches into new settings, there is scope to examine the diverse meanings, forms, and effects that it takes on. Using Kelvingrove Art Gallery and Museum (Glasgow) as a case-study, this paper explores how a ‘flexible museum’ is produced and sustained. By recounting ethnographic observation of the making of a small display on Charles Darwin, it identifies how flexibility is variously made manifest not only as frequent material change, but also through new work-procedures and improvisatory practice. More broadly, and as situated within the landscape of museological reform, insight into the experiences and perceived effects of change on the everyday practice and sense of professional self of museum staff is provided.

Full Text:


Copyright (c) 2015 Jennie Morgan

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
We use both functional and performance cookies to improve visitor experience. Continue browsing if you are happy to accept cookies. Please see our Privacy Policy for more information.

Museum and Society

ISSN 1479-8360